The Persistence of Memory hidden symbols. In early August 1929 a young Dali met his future wife and muse Gala. Their union was the key to the incredible success of the artist, and influenced all his subsequent work, including his iconic painting “The Persistence of Memory.” Salvador Dali painted it in 1931. The Meaning of 'The Persistence of Memory'. 'The Persistence of Memory' was painted by Salvador Dali in 1931. As one of his most popular paintings, it is a classic portrayal of the dream-like interpretation of quite simple objects and shapes distorted or transformed into sometimes unrecognizable forms.

The Persistence of Memory (Spanish: La persistencia de la memoria) is a 1931 painting by artist Salvador Dalí, and one of the most recognizable works of Surrealism. First shown at the Julien Levy Gallery in 1932, since 1934 the painting has been in the collection of the Museum of Modern Art (MoMA) in New York City, which received it from an anonymous donor. It is widely recognized and frequently referenced in popular culture,^[1] and sometimes referred to by more descriptive titles, such as 'Melting Clocks', 'The Soft Watches' or 'The Melting Watches'.^{[by whom?]}

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Description[edit]

The well-known surrealist piece introduced the image of the soft melting pocket watch.^[2] It epitomizes Dalí's theory of 'softness' and 'hardness', which was central to his thinking at the time. As Dawn Adès wrote, 'The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order'.^[3] This interpretation suggests that Dalí was incorporating an understanding of the world introduced by Albert Einstein's theory of special relativity. Asked by Ilya Prigogine whether this was in fact the case, Dalí replied that the soft watches were not inspired by the theory of relativity, but by the surrealist perception of a Camembert melting in the sun.^[4]

It is possible to recognize a human figure in the middle of the composition, in the strange 'monster' (with a lot of texture near its face, and lots of contrast and tone in the picture) that Dalí used in several contemporary pieces to represent himself – the abstract form becoming something of a self-portrait, reappearing frequently in his work. The creature seems to be based on a figure from the Paradise section of Hieronymus Bosch's The Garden of Earthly Delights, which Dalí had studied.^[7] It can be read as a 'fading' creature, one that often appears in dreams where the dreamer cannot pinpoint the creature's exact form and composition. One can observe that the creature has one closed eye with several eyelashes, suggesting that the creature is also in a dream state. The iconography may refer to a dream that Dalí himself had experienced, and the clocks may symbolize the passing of time as one experiences it in sleep or the persistence of time in the eyes of the dreamer.

The orange clock at the bottom left of the painting is covered in ants. Dalí often used ants in his paintings as a symbol of decay.^[8][9] Another insect that is present in the painting is a fly, which sits on the watch that is next to the orange watch. The fly appears to be casting a human shadow as the sun hits it. The Persistence of Memory employs 'the exactitude of realist painting techniques'^[10] to depict imagery more likely to be found in dreams than in waking consciousness.

The craggy rocks to the right represent a tip of Cap de Creus peninsula in north-eastern Catalonia. Many of Dalí's paintings were inspired by the landscapes of his life in Catalonia. The strange and foreboding shadow in the foreground of this painting is a reference to Mount Pani.^[11]

Versions[edit]

Dalí returned to the theme of this painting with the variation The Disintegration of the Persistence of Memory (1954), showing his earlier famous work systematically fragmenting into smaller component elements, and a series of rectangular blocks which reveal further imagery through the gaps between them, implying something beneath the surface of the original work; this work is now in the Salvador Dalí Museum in St. Petersburg, Florida, while the original Persistence of Memory remains at the Museum of Modern Art in New York City. Dalí also produced various lithographs and sculptures on the theme of soft watches late in his career. Some of these sculptures are Persistence of Memory, Nobility of Time, Profile of Time, and Three Dancing Watches.^[12]

The Dalí Foundation together with D'Argenta, inspired by the painting develop a set of sculptures, one of them being The Persistence of Memory sculpture into a melting clock in pure silver & the clock hands in 24 karat gold.

See also[edit]

References[edit]

1. ^Staff editor (28 January 1989). 'Dali, The Flamboyant Surrealist'. The Vindicator. Retrieved 20 June 2011. The death of Salvador Dali evokes the image of his most famous painting, Persistence of Memory.
2. ^Bradbury, Kirsten (1999). Essential Dalí. ;Dempsey Parr. ISBN978-1-84084-509-9. It includes the first appearance of what is perhaps his most enduring image: the 'soft watch'.
3. ^Ades, Dawn. Dalí. Thames and Hudson, 1982.
4. ^Salvador Dali (2008). The Dali Dimension: Decoding the Mind of a Genius(DVD). Media 3.14-TVC-FGSD-IRL-AVRO. Surprisingly, Dalí said that his soft watches were not inspired by the theory of relativity, but by the surrealist perception of a Camembert cheese melting in the sun. The painter insisted on this explanation in his reply letter to Prigogine, who took it as Dalí's reaction to Einstein's coldly mathematical theory.
5. ^'Dali's The Persistence of Memory'. Smarthistory at Khan Academy. Retrieved December 31, 2012.
6. ^'Salvador Dalí. The Persistence of Memory. 1931'. MoMa. Retrieved December 31, 2012.
7. ^De la Croix, Horst; Tansey, Richard G.; Kirkpatrick, Diane (1991). Gardner's Art Through the Ages (9th ed.). Thomson/Wadsworth. p. 984. ISBN0-15-503769-2.
8. ^'Dalinian symbolism I Salvador Dalí I Espace Dalí'. daliparis.com. Archived from the original on 25 September 2014. Retrieved 4 August 2015.
9. ^'MoMA I Salvador Dalí. The Persistence of Memory'. moma.org. Museum of Modern Art (New York). Retrieved 4 August 2015.
10. ^Mical, Thomas (October 22, 2005). 'Surrealism and Architecture'. Psychology Press. Retrieved October 22, 2019 – via Google Books.
11. ^Salvador Dali. Surreal years. Art, paintings, and works. Commentary on 40+ works of art by Salvador Dalí.
12. ^'Dalis Sculpture Editions'. Archived from the original on July 8, 2011. Retrieved October 22, 2019.

External links[edit]

• The Persistence of Memory on Authentic Society
• The Persistence of Memory in the MoMA Online Collection

Before joining the Surrealist group formally in 1929, Salvador Dali imbued his work with a sense of the fantastic and the extraordinary, personified in the work of the Old Masters such as Hieronymus Bosch and in his own timeby Giorgio de Chirico. In The Persistence of Memory, one of his earlier Surrealist works, Dali was influenced by Bosch's Garden of Earthly Delights, which he combined with a Catalan background, a feature of much ofhis early work. This painting was one of the first Dali executed using his 'paranoid-critical' approach in which he depicts his own psychological conflicts and phobias.Dali had studied psycho-analysis and the works of before joining the Surrealists. The faithful transcription of dreams has always played a major role in.

To dream is easy for him because of his Mediterranean heritage. A siesta, to him, has always opened the doors of a pre-sleep period, the instant when one forgetthe presence of one's body. Dali's demonology owes a great deal to his reveries. They have given birth to heterogeneous elements which he then brings together in his paintings without always knowing why. In the works of theSurrealist period, Dali treated those elements of disparate appearance with absolute realism which emphasized the proper character of each one of them, making an exact copy from a document, a photograph, or the actual object,as well as using collage.The Persistence of Memory contains a self-portrait over which is draped a 'soft watch'. For Dali, these 'soft watches' represent what he called the 'camembert of time', suggesting that the concept of time had lostall meaning in the unconscious world. The ants crawling over the pocket watch suggest decoy, an absurd notion given that the watch is metallic.

These 'paranoid-critical' images reflect Dali's reading and absorption ofFreud's theories of the unconscious and its access to the latent desires and paranoia of the human mind, such as the unconscious fear of death alluded to in this painting.